We seem to be in a bit of a corset renaissance as it is, with a lot of brands having put various examples in recent seasons. Though the Gilded Age is of course a specific historical moment, it is defined by dressing styles and features that exist across many different cultures at many different points in time - dramatic silhouettes, corsetry, gloves, hourglass shapes. Especially when the theme is so very American. “I’m not one to desire a narrow interpretation of the theme, I hope there are some non-literal interpretations. Otherwise, anyone wearing Glenn Martens’ Gaultier is gonna make a real statement.” Vivienne Westwood would also be really brilliant – I would love to see Bella or one of the supers wearing her designs. Otherwise, Moschino could be a real hit or miss in terms of being really literal in the interpretation. Christopher John Rogers has such a strong design language and technique in the way he constructs his clothes that would work really well for the Met, too.
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I think whoever goes with Daniel Roseberry has the potential to really stunt, especially with his metal work. Other archial pieces, like McQueen at Givenchy, would be great! Generally speaking, archived looks would always be at the top of my list, but I know how impossible it is to get into them!
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But Charles James’ archive is right at the top of my list – like number one – and if I was a celebrity I would pay top notch for a gown by him. I recently did a TikTok about him specifically with mention of the Met Gala! Although he’s super problematic, I think John Galliano’s AW97 archive at Christian Dior is brilliant for the theme. “So I’d like to see some archival Christian Lacroix. The move of the working classes, from agriculture to industry, probably had a bigger impact on fashion, with early photographs of factory workers in their enormous suits reminding me of Yohji Yamamoto ’s draped tailoring.” “But I hate how people have only taken the upper classes into account. “It was when electricity became a thing, a concept which was first looked on as magic,” social media consultant Iolo Edwards says, detailing how he’d like to see Michèle Lamy in one of Rick Owens ’ LED headpieces and Timothée Chalamet in a spangled Ludovic de Saint Sernin bathrobe. In theory, this year’s Gilded Age theme could buck the banalisation of the red carpet, rooted in an era of rapid economic growth, where technological innovation, bustles, and gay bathhouses were beginning to blossom.
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It told us more about AOC than Billie Eilish’s frothy blush gown or A$ AP Rocky, who led photographers up the Met’s staircase, tearing off a patchwork quilt to reveal a… black suit beneath. “A t the end of the day these celebrities are very boring!” With hindsight, one of the best moments of last year’s Met Gala was when Alexandria Ocasio-Cortez decided to wear a wedding dress splashed with “ TAX THE RICH ” in blood-red lettering across her posterior. “I’ve got major burnout from the disappointing looks year after year,” says HFT’s DECOUTURIZE. For fashion fans, however, the Met Gala ’s star is still at a glimmer, with Kim Kardashian ’s Balenciaga, Rihanna ’s Galliano, and Cardi B ’s Mugler dangling a carrot above the keyboards of High Fashion Twitter pundits – even if the event’s 2021 edition left much to be desired.